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I never write a play with an eye to film.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Eye
Write
Film
Play
Writing
Never

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The first book was my first attempt at writing full-length prose.
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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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I love living. I have some problems with my life, but living is the best thing they've come up with so far.
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If you can go through life without experiencing pain you probably haven't been born yet.
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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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I don't like dating or just living with a woman. I like to create a relationship, a marriage. And almost all of my marriages have involved children, so I'm really a family man as well.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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Once you've opened yourself up, it's best to go all the way.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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All humor is based on hostility - that's why World War Two was funny.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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He's too nervous to kill himself. He wears his seat belt in a drive-in movie.
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Sudden money is going from zero to two hundred dollars a week. The rest doesn't count.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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