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I never write a play with an eye to film.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Never
Eye
Write
Film
Play
Writing

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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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It looks different when you're sober I thought I had twice as much furniture.
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If no one ever took risks, Michaelangelo would have painted the Sistine floor.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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I was constantly being dragged out of movies for laughing too loud.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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Sudden money is going from zero to two hundred dollars a week. The rest doesn't count.
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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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He's too nervous to kill himself. He wears his seat belt in a drive-in movie.
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I love living. I have some problems with my life, but living is the best thing they've come up with so far.
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There's no such thing as a sure thing. That's why they call it gambling.
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I don't use computers... I'm someone who needs to see the page right away in my hand.
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If you can go through life without experiencing pain you probably haven't been born yet.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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Sports is the only entertainment where, no matter how many times you go back, you never know the ending.
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The first book was my first attempt at writing full-length prose.
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