Quote

It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Really
Dark
Always
Chance
Thought
Persons
Memoirs
Person
Memoir
Find
Painful
Giving
Places
Writing
Gives

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If no one ever took risks, Michaelangelo would have painted the Sistine floor.
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All humor is based on hostility - that's why World War Two was funny.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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The first book was my first attempt at writing full-length prose.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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It looks different when you're sober I thought I had twice as much furniture.
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I was constantly being dragged out of movies for laughing too loud.
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Once you've opened yourself up, it's best to go all the way.
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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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Writers feel like a middleman, standing with pen in hand over the page. A force greater than me stands above telling me what to write. That may sound romantic, but that's how it feels.
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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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