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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Need
Hard
Weekend
Needs
Normal
Work
Week
Days
Five
Understand
Two

More quotes by Neil Simon

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I never write a play with an eye to film.
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He's too nervous to kill himself. He wears his seat belt in a drive-in movie.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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If you can go through life without experiencing pain you probably haven't been born yet.
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All humor is based on hostility - that's why World War Two was funny.
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I don't like dating or just living with a woman. I like to create a relationship, a marriage. And almost all of my marriages have involved children, so I'm really a family man as well.
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I was constantly being dragged out of movies for laughing too loud.
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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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I don't use computers... I'm someone who needs to see the page right away in my hand.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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Once you've opened yourself up, it's best to go all the way.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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The first book was my first attempt at writing full-length prose.
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Writers feel like a middleman, standing with pen in hand over the page. A force greater than me stands above telling me what to write. That may sound romantic, but that's how it feels.
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Sports is the only entertainment where, no matter how many times you go back, you never know the ending.
Neil Simon