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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Need
Hard
Weekend
Needs
Normal
Work
Week
Days
Five
Understand
Two

More quotes by Neil Simon

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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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I don't like dating or just living with a woman. I like to create a relationship, a marriage. And almost all of my marriages have involved children, so I'm really a family man as well.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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All humor is based on hostility - that's why World War Two was funny.
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If you can go through life without experiencing pain you probably haven't been born yet.
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Writers feel like a middleman, standing with pen in hand over the page. A force greater than me stands above telling me what to write. That may sound romantic, but that's how it feels.
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The first book was my first attempt at writing full-length prose.
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I don't use computers... I'm someone who needs to see the page right away in my hand.
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I was constantly being dragged out of movies for laughing too loud.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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Once you've opened yourself up, it's best to go all the way.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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I never write a play with an eye to film.
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He's too nervous to kill himself. He wears his seat belt in a drive-in movie.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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