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I was constantly being dragged out of movies for laughing too loud.
Neil Simon
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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Laughing
Movies
Dragged
Loud
Constantly
More quotes by Neil Simon
There's no such thing as a sure thing. That's why they call it gambling.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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All humor is based on hostility - that's why World War Two was funny.
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I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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It looks different when you're sober I thought I had twice as much furniture.
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I love living. I have some problems with my life, but living is the best thing they've come up with so far.
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If you can go through life without experiencing pain you probably haven't been born yet.
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Sudden money is going from zero to two hundred dollars a week. The rest doesn't count.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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I don't use computers... I'm someone who needs to see the page right away in my hand.
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The first book was my first attempt at writing full-length prose.
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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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I never write a play with an eye to film.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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