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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.

Neil Simon

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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Book
Handler
Come
Evan
Life
Pulls
Close
Friend
Inside
Simply
Wonderful

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Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
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I love living. I have some problems with my life, but living is the best thing they've come up with so far.
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All humor is based on hostility - that's why World War Two was funny.
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If you can go through life without experiencing pain you probably haven't been born yet.
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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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I never write a play with an eye to film.
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Sports is the only entertainment where, no matter how many times you go back, you never know the ending.
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[When you write a play] you walk into a forest without a knife, without a compass. But . . . if you have a sense of geography, you find that you're clearing a path and getting to the right place.
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Writers feel like a middleman, standing with pen in hand over the page. A force greater than me stands above telling me what to write. That may sound romantic, but that's how it feels.
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If no one ever took risks, Michaelangelo would have painted the Sistine floor.
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Talent is the gift plus the passion - a desire to succeed so intense that no force on earth can stop it.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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Sudden money is going from zero to two hundred dollars a week. The rest doesn't count.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.
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Once you've opened yourself up, it's best to go all the way.
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I was constantly being dragged out of movies for laughing too loud.
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