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If no one ever took risks, Michaelangelo would have painted the Sistine floor.
Neil Simon
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Neil Simon
Age: 91 †
Born: 1927
Born: July 4
Died: 2018
Died: August 26
Entrepreneur
Film Producer
Librettist
Lyricist
Playwright
Screenwriter
New York City
New York
Marvin Neil Simon
Took
Motivational
Risk
Ever
Would
Sistine
Painted
Risks
Floor
More quotes by Neil Simon
There's no such thing as a sure thing. That's why they call it gambling.
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I don't like dating or just living with a woman. I like to create a relationship, a marriage. And almost all of my marriages have involved children, so I'm really a family man as well.
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I don't use computers... I'm someone who needs to see the page right away in my hand.
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Evan Handler's new book is simply wonderful. He pulls you inside his life, and you come out his very close friend.
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He's too nervous to kill himself. He wears his seat belt in a drive-in movie.
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I love living. I have some problems with my life, but living is the best thing they've come up with so far.
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Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
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A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
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The first book was my first attempt at writing full-length prose.
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It looks different when you're sober I thought I had twice as much furniture.
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I understand. You work very hard two days a week and you need a five-day weekend. That's normal.
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Standing on a ledge again. Everyone laughs at dancing monkey with the typewriter. Not for long, though.
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Sports is the only entertainment where, no matter how many times you go back, you never know the ending.
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It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.
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I feel like writing about a time when I was probably, and think all of us are, the happiest before the obligations start in.
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I never write a play with an eye to film.
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You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
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If you can go through life without experiencing pain you probably haven't been born yet.
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Once you've opened yourself up, it's best to go all the way.
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I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
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