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The effects of technology are always unpredictable. But they are not always inevitable.

Neil Postman

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Neil Postman
Age: 72 †
Born: 1931
Born: March 8
Died: 2003
Died: October 5
Author
Communication Scholar
Essayist
Journalist
Media Critic
Pedagogue
Sociologist
University Teacher
Writer
New York City
New York
Unpredictable
Inevitable
Effects
Technology
Always

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The written word endures, the spoken word disappears
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If students get a sound education in the history, social effects and psychological biases of technology, they may grow to be adults who use technology rather than be used by it.
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Make no mistake about it: the labeling of someone's language as 'sexist' involves a political judgment and implies the desirability of a particular sociological doctrine. One may be in favor of that doctrine (as I believe I am) but it is quite another matter to force writers by edicts and censorship into accepting it.
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Children are the living messages we send to a time we will not see. From a biological point of view it is inconceivable that any culture will forget that it needs to reproduce itself. But it is quite possible for a culture to exist without a social idea of children. Unlike infancy, childhood is a social artifact, not a biological category.
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When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk culture-death is a clear possibility.
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Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness we are glutted with information, drowning in information, have no control over it, don't know what to do with it.
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The idea of taking what people call the 'entertainment culture' as a focus of study, including historical perspective, is not a bad idea.
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My argument is limited to saying that a major new medium changes the structure of discourse it does so by encouraging certain uses of the intellect, by favoring certain definitions of intelligence and wisdom, and by demanding a certain kind of content - in a phrase, by creating new forms of truth-telling.
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An educated mind is practiced in the uses of reason, which inevitably leads to a skeptical outlook.
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. . . Americans are the best entertained and quite likely the least well-informed people in the Western world.
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Through the computer, the heralds say, we will make education better, religion better, politics better, our minds better — best of all, ourselves better. This is, of course, nonsense, and only the young or the ignorant or the foolish could believe it.
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The spectacle we find in true religions has as its purpose enchantment, not entertainment. The distinction is critical. By endowing things with magic, enchantment is a means through which we may gain access to sacredness. Entertainment is the means through which we distance ourselves from it.
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By itself photography cannot deal with the unseen, the remote, the internal, the abstract, it does not speak of Man, only of a man not of Tree, only a tree.
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