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The effects of technology are always unpredictable. But they are not always inevitable.

Neil Postman

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Neil Postman
Age: 72 †
Born: 1931
Born: March 8
Died: 2003
Died: October 5
Author
Communication Scholar
Essayist
Journalist
Media Critic
Pedagogue
Sociologist
University Teacher
Writer
New York City
New York
Unpredictable
Inevitable
Effects
Technology
Always

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The spectacle we find in true religions has as its purpose enchantment, not entertainment. The distinction is critical. By endowing things with magic, enchantment is a means through which we may gain access to sacredness. Entertainment is the means through which we distance ourselves from it.
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As a culture moves from orality to writing to printing to televising, its ideas of truth move with it.
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The written word endures, the spoken word disappears
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My argument is limited to saying that a major new medium changes the structure of discourse it does so by encouraging certain uses of the intellect, by favoring certain definitions of intelligence and wisdom, and by demanding a certain kind of content - in a phrase, by creating new forms of truth-telling.
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'The scientific method,' Thomas Henry Huxley once wrote, 'is nothing but the normal working of the human mind.' That is to say, when the mind is working that is to say further, when it is engaged in correcting its mistakes.
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Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness we are glutted with information, drowning in information, have no control over it, don't know what to do with it.
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Make no mistake about it: the labeling of someone's language as 'sexist' involves a political judgment and implies the desirability of a particular sociological doctrine. One may be in favor of that doctrine (as I believe I am) but it is quite another matter to force writers by edicts and censorship into accepting it.
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[It] is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. […] The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining. (87)
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Cyberspace' is a metaphorical idea which is supposed to be the space where your consciousness is located when you're using computer technology on the Internet, for example, and I'm not entirely sure it's such a useful term, but I think that's what most people mean by it.
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I believe I am not mistaken in saying that Christianity is a demanding and serious religion. When it is delivered as easy and amusing, it is another kind of religion altogether.
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The making of adaptable, curious, open, questioning people has nothing to do with vocational training and everything to do with humanistic and scientific studies.
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I am not a Luddite. I am suspicious of technology. I am perfectly aware of its benefits, but I also try to pay attention to some of the negative effects.
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People in distress will sometimes prefer a problem that is familiar to a solution that is not.
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By itself photography cannot deal with the unseen, the remote, the internal, the abstract, it does not speak of Man, only of a man not of Tree, only a tree.
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When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk culture-death is a clear possibility.
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There is no escaping from ourselves. The human dilemma is as it has always been, and we solve nothing fundamental by cloaking ourselves in technological glory.
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Public schooling does not serve a public it creates a pubic.
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...there must be a sequence to learning, that perseverance and a certain measure of perspiration are indispensable, that individual pleasures must frequently be submerged in the interests of group cohesion, and that learning to be critical and to think conceptually and rigorously do not come easily to the young but are hard-fought victories.
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The problem in the 19th century with information was that we lived in a culture of information scarcity, and so humanity addressed that problem beginning with photography and telegraphy and the - in the 1840s. We tried to solve the problem of overcoming the limitations of space, time, and form.
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A metaphor is not an ornament. It is an organ of perception. Through metaphors, we see the world as one thing or another.
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