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I have more artistic control in a smaller show. But it doesn't really matter. Sometimes you can have the smallest role in the smallest production and still make a big impact.
Neil Patrick Harris
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Neil Patrick Harris
Age: 51
Born: 1973
Born: June 15
Actor
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Albuquerque
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More quotes by Neil Patrick Harris
I love physical stuff. I love circusy, weird, breathing fire and bucket-listy things.
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I love Buster Keaton. I was a big fan of the stunt shows at Universal Studios. I'm a huge Cirque du Soleil nut.
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I get to choose things that interest me as opposed to trying to get any job that will have me, which for a vast majority of actors is the case.
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When I auditioned for the show, I didn't realize it was an MTV production, which is going to make for really good tunes during the episodes, if nothing else.
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The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.
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[Before introducing the nominees for best animated film] If you're at the awards party with the guys who made the Lego Movie, now would be a good time to distract them.
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Being able to live my life transparently does empower me to feel like I can be myself more. It's easier for me to flirt with girls now that girls know that I'm gay. It almost makes it a sexier encounter than if I was trying to pretend that I was straight.
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'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that.
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I like to make decisions based on things I'm interested in doing, not what seems like the next move in my quote-unquote career.
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I've been taking a trapeze class for the last couple of years. I'm working on my double back flip right now.
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I have actual strong ideas. You just have to wait for the right timing. Timing is pretty crucial here. I can't dedicate a lot of energy and efforts trying to, say, create a show that I want to produce while I'm currently on another show.
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I don't like to be disparaging about my past roles. That's the only taboo that I don't like to cross.
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Benedict Cumberbatch is not only the best name in show business, it's also the response you get when you ask John Travolta to pronounce Ben Affleck.
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The theater is reaching as many different demographics as it can now.
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Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.
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What I enjoy so much about the Tonys' uniqueness is that anyone who's tuning in has an interest in seeing the show, so our job is halfway done.
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I'm shocked at how early everything closes here. But people start earlier. I miss the late nightlife in NYC, but then again I sing and burn so much energy in the show that it's probably good - I get to go home and sleep.
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Oh sure, now you like him [after the audience applaud David Oyelowo].
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I often teach a graduate theater seminar on Greek tragedy in performance. I usually begin by saying that no matter what technological advances occur, the wisdom of these plays will never be obsolete.
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