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With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.

Neil LaBute

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Neil LaBute
Age: 61
Born: 1963
Born: March 19
Author
Film Director
Screenwriter
Writer
Detroit
Michigan
Men
Hurt
Firmly
Company
Label
Getting
Labels
Difficult
Stuck
Feelings
Theater
Film
Early
Ends
Bits
Misogynist
Women
Probably
Theaters

More quotes by Neil LaBute

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First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that.
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I didn't choose BYU, I like to think it chose me.
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You start as an audience member and create a world you're interested in, and then you move into the telling of those stories, bringing what has interested you as an audience member.
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People think my work is therapeutic. I don't see it that way. It's not like I'm saving money from a weekly therapy visit by writing down my life.
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I make movies I want to see.
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Movies are - all I've found is that they're just tougher and tougher to make.
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I'm more than open to hope, but I think men and women have a difficult time dealing with each other and often take the low road.
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My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time.
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The future is now. It's time to grow up and be strong. Tomorrow may well be too late.
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Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even.
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Everybody has the ability to be manipulative, to be hateful and deceitful.
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I will say that the idea of a woman being deceptive came from that original discussion with critics and reporters about if woman could do that kind of thing. Evelyn, herself, grew out of the discussions about how capable women are of deceit and lying and manipulation.
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Without In The Company of Men, I could still be teaching, so who knows if this would've existed.
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Everyone has a story.
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Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well.
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In a relationship you have to open yourself up.
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I see bits and pieces of me in all the characters in my films.
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I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.
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But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.
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I was always looking for the most dramatic emphasis. One example would be the letter writing, or the reading of the letters. If you remember from the book, they find the letters and then in the most undramatic way they take them downstairs, they get approval, they sit at a table during the day with their own author, across from each other.
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