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With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.

Neil LaBute

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Neil LaBute
Age: 61
Born: 1963
Born: March 19
Author
Film Director
Screenwriter
Writer
Detroit
Michigan
Women
Probably
Theaters
Men
Hurt
Firmly
Company
Label
Getting
Labels
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Feelings
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Misogynist

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Movies are - all I've found is that they're just tougher and tougher to make.
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People think my work is therapeutic. I don't see it that way. It's not like I'm saving money from a weekly therapy visit by writing down my life.
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Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well.
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I'm more than open to hope, but I think men and women have a difficult time dealing with each other and often take the low road.
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Without In The Company of Men, I could still be teaching, so who knows if this would've existed.
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I was always looking for the most dramatic emphasis. One example would be the letter writing, or the reading of the letters. If you remember from the book, they find the letters and then in the most undramatic way they take them downstairs, they get approval, they sit at a table during the day with their own author, across from each other.
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If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.
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You start as an audience member and create a world you're interested in, and then you move into the telling of those stories, bringing what has interested you as an audience member.
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I will say that the idea of a woman being deceptive came from that original discussion with critics and reporters about if woman could do that kind of thing. Evelyn, herself, grew out of the discussions about how capable women are of deceit and lying and manipulation.
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It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
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I make movies I want to see.
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In a relationship you have to open yourself up.
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We humans are a fairly barbarous bunch.
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I see bits and pieces of me in all the characters in my films.
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I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.
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My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time.
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First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that.
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But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.
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Relationships in general make people a bit nervous. It's about trust. Do I trust you enough to go there?
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