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First I would probably place men at the bottom of the food chain. On a grander scale, I would say they're reacting to change. Feminism has got to be part of that.

Neil LaBute

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Neil LaBute
Age: 61
Born: 1963
Born: March 19
Author
Film Director
Screenwriter
Writer
Detroit
Michigan
Firsts
Chains
First
Feminist
Would
Bottom
Grander
Men
Food
Reacting
Probably
Chain
Place
Scale
Part
Feminism
Change
Scales

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My business is can I create a world that's possible and could happen? I think that's the only thing that I have to do, and I think that I have done that each time.
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People think my work is therapeutic. I don't see it that way. It's not like I'm saving money from a weekly therapy visit by writing down my life.
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Just in the past few years - since I've been making movies, which isn't a very long time - you now have a culture that is fascinated and informed about the box office in a way that sometimes filmmakers weren't even.
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But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.
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With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.
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I make movies I want to see.
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Everybody has the ability to be manipulative, to be hateful and deceitful.
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It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
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The future is now. It's time to grow up and be strong. Tomorrow may well be too late.
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Everyone has a little bit of Howard and Chad in them. I think there's Christine in all men as well.
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If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.
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I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.
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I was always looking for the most dramatic emphasis. One example would be the letter writing, or the reading of the letters. If you remember from the book, they find the letters and then in the most undramatic way they take them downstairs, they get approval, they sit at a table during the day with their own author, across from each other.
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