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Initially with The Butcher Boy, there was this kid growing up in this strange, weird environment that I remember from when I was a kid. And Patrick's vision was so complete there.

Neil Jordan

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Neil Jordan
Age: 74
Born: 1950
Born: February 25
Film Director
Film Producer
Novelist
Screenwriter
Showrunner
Television Producer
Writer
Boys
Strange
Butcher
Environment
Patrick
Vision
Butchers
Growing
Initially
Kids
Weird
Remember
Environmental
Complete

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Never make a promise - you may have to keep it.
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I can't do a film if I don't start with the writing.
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For me, the filmmaking has to be about the dramaturgy.
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You've got to play what people think you are, rather than what you are. You have to have a sense of what you are as you're playing what people think you are.
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My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end.
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The truth is that seals look more like dogs. And I'm surrounded by seals because I live by the sea. They're odd bloody creatures. Not fish, they don't have gills, they should have legs, but they don't. They're the weirdest things, you know?
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I took two years away from making films to write a novel.
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The most difficult thing is the organization of people and the expression of your intentions. It's very easy to have a picture in your head and to imagine that you've told everybody about what you need.
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It is extremely difficult to get movies that cost more than $40 million to be made these days.
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Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy.
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I had made a decision, although I hardly knew it yet. It's often that way with decisions, they're made in some hidden part of us and the awareness secretes itself slowly into that conscious part of us that imagines it decides.
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In Dreams...well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it.
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I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.
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There's no point in making a film out of a great book. The book's already great. What's the point?
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But everyone gets burnt, don't they? Certain things are outside of your control. I suppose the only thing you can learn as a director is to not put yourself into situations where it can get outside of your control. And that's what happened.
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I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
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It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do.
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Well, Company of Wolves was about that literally, about fairy tales.
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