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One of the things I'm concerned about is that I really want to make sure the races of all the characters are kept. I don't like it when black characters become white in movies, or things like that.

Neil Gaiman

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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
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Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
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More quotes by Neil Gaiman

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You know that I love you. And despite herself, Coraline nodded. It was true. The other mother loved her. But she loved Coraline as a miser loves money, or a dragon loves its gold. In the other mother's button eyes, Coraline knew that she was a possession, nothing more. A tolerated pet, whose behavior was no longer amusing.
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If not for Death, they’d be content to simply exist, but with Death, well, their lives will have meaning — a boundary beyond which the living cannot cross.
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THE MAGIC AND THE DANGER OF FICTION IS THIS: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong.
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I wonder if I shall ever see her again, and I realize that I scarcely care. I can feel the sheets beneath me, and the cold air on my chest. I feel fine. I feel absolutely fine. I feel nothing at all.
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You'll think this is a bit silly, but I'm a bit--well, I have a thing about birds. What, a phobia? Sort of. Well, that's the common term for an irrational fear of birds. What do they call a rational fear of birds, then?
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If you want to call it that. But it is a very specific sort of magic. There's a magic you take from death. Something leaves the world, something else comes into it.
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How do I know you'll keep your word? asked Coraline. I swear it, said the other mother. I swear it on my own mother's grave. Does she have a grave? asked Coraline. Oh yes, said the other mother. I put her in there myself. And when I found her trying to crawl out, I put her back.
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Sometimes the best way to learn something is by doing it wrong and looking at what you did.
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I kept starting 'Anansi Boys' as a movie and stopping, and eventually wrote the novel and was happy.
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A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
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You’re alive. That means you have infinite potential. You can do anything, make anything, dream anything.
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Bod said, 'I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,' he said, and then he paused and he thought. 'I want everything.
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I'm somebody who considers happiness a journey, not a destination.
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Never mind. There. For good or bad. It's done.
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I suspect there are two kinds of novelists. Those who have a point of view and have something to say and then write a novel in order to say that thing, and those of us who write the book in order to find out what we think about that thing.
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Chicago happened slowly, like a migraine.
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If you go to space, you'll look down and see no national boundaries. You'll never see the gods people are killing each other over, but they're incredibly real.
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I just want you to know,' said the girl, coldly, 'that whoever you are and whatever you intend with me, I shall give you no aid of any kind, nor shall I assist you, and I shall do whatever is in my power to frustrate your plans and devices.' And then she added, with feeling, 'Idiot.
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Twitter is great and it's glorious and it's easy, but if somebody comes up with something kind of like Twitter tomorrow, that's better or smarter or more useful, in three weeks time, Twitter could more or less be history because that's how fast things go.
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