Quote

She really was pretty, for a grown-up person, but when you are seven, beauty is an abstraction, not an imperative. I wonder what I would have done if she had smiled at me like that now: whether I would have handed my mind or my heart or my identify to her for the asking, as my father did.

Neil Gaiman

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Neil Gaiman
Age: 63
Born: 1960
Born: November 10
Actor
Author
Beekeeper
Blogger
Comics Writer
Film Director
Film Producer
Journalist
Novelist
Science Fiction Writer
Screenwriter
Writer
Portchester
Hampshire
Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
Really
Beauty
Handed
Would
Whether
Abstraction
Like
Father
Identify
Persons
Grown
Person
Seven
Done
Asking
Imperative
Heart
Pretty
Imperatives
Mind
Wonder
Smiled

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It is going to take more than just a couple of good-hearted souls to raise this child. It will take a graveyard.
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I very rarely want to go back and fix things, because I'm much more interested in the next thing, and in taking what I learned from the things that don't work, and applying them to new things that may work.
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I was thinking one of the great things about fiction is we, as a race, only get to look out of our own eyes at the world. And fiction is a fantastic way of looking out through somebody else's eyes.
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I was a scholarship minor public school day boy at Ardingly College and later Whitgift School. Then, straight into work as a journalist - a wonderful thing for a writer.
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Sometimes human beings are very much like bees. Bees are fiercely protective of their hive, provided you are outside it. Once you’re in, the workers sort of assume that it must have been cleared by management and take no notice various freeloading insects have evolved a mellifluous existence because of this very fact. Humans act the same way.
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Writing, and especially writing a novel, where you get to sit in a room by yourself with either a pen and a paper or a computer for a couple of years, is a very solitary occupation. You can read sales figures - a hundred thousand books sold, half a million books sold - but they are just numbers.
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A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
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Nothing [the demon] could think up was half as bad as the stuff [people] thought up themselves. They seemed to have a talent for it. It was built into their design somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse.
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You can't make me love you.
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I believe we have an obligation to read for pleasure, in private and in public places. If we read for pleasure, if others see us reading, then we learn, we exercise our imaginations. We show others that reading is a good thing.
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I love CGI if it's invisible. I don't like it when it's there and obvious.
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There is something about riding a unicorn, for those people who still can, which is unlike any other experience: exhilarating, and intoxicating, and fine.
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You have a very open relationship with your fans. Yes. We have an open relationship. Obviously they can see other authors if they want, and I can see other readers.
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American Gods is about 200,000 words long, and I'm sure there are words that are simply in there 'cause I like them. I know I couldn't justify each and every one of them.
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I believe that stories are incredibly important, possibly in ways we don't understand, in allowing us to make sense of our lives, in allowing us to escape our lives, in giving us empathy and in creating the world that we live in.
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I knowed a man in Paphlagonia who'd swallow a live snake every morning, when he got up. He used to say, he was certain of one thing, that nothing worse would happen to him all day. 'Course they made him eat a bowlful of hairy centipedes before they hung him, so maybe that claim was a bit presumptive.
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He was no longer scared of what tomorrow might bring because yesterday has brought it.
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Be hole, be dust, be dream, be wind/Be night, be dark, be wish, be mind,/Now slip, now slide, now move unseen,/Above, beneath, betwixt, between.
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As a journalist, I would talk to writers, directors, creative people, and discover that for an awful lot of them, the moment they became successful, that was all they were allowed to do. So you end up talking to the bestselling science-fiction author who wrote a historical-fiction novel that everybody loved, but no one would publish.
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I am anti-life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds…of everything. And what will you be then, Dreamlord? I am hope.
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