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I suppose the point you grow up is the point you let the dreams go.

Neil Gaiman

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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
Actor
Author
Beekeeper
Blogger
Comics Writer
Film Director
Film Producer
Journalist
Novelist
Science Fiction Writer
Screenwriter
Writer
Portchester
Hampshire
Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
Grow
Grows
Point
Dream
Suppose
Dreams

More quotes by Neil Gaiman

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I just want you to know,' said the girl, coldly, 'that whoever you are and whatever you intend with me, I shall give you no aid of any kind, nor shall I assist you, and I shall do whatever is in my power to frustrate your plans and devices.' And then she added, with feeling, 'Idiot.
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You know how is it when you love someone? And the hard part, the bad part, the Jerry Springer Show part is that you never stop loving someone. There's always a piece of them in your heart.
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Different people remember things differently, and you'll not get any two people to remember anything the same, whether they were there or not.
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If I were only allowed to read or enjoy art or listen to music made by people whose opinions and beliefs were the same as mine, I think the world would be a pretty dismal sort of a place.
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As far as I'm concerned, the entire reason for becoming a writer is not having to get up in the morning.
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How big are souls anyway? asked Coraline. The other mother sat down at the kitchen table and leaned against the back wall, saying nothing. She picked at her teeth with a long crimson-varnished fingernail, then she tapped the finger, gently, tap-tap-tap against the polished black surface of her black button eyes.
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He had had a severe shock some weeks earlier, when, having narrowly failed to capture a large grey-brown hare for his dinner, it had stopped at the edge of the forest, looked at him with disdain, and said, 'Well, I hope you're proud of yourself, that's all,' and had scampered off into the long grass
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I think there are several aspects of our marraige we're going to have to work on. Babes, he told her. You're dead. That's one of those aspects, obviously.
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The war had begun and nobody saw it. The storm was lowering and nobody knew it.
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You don't get explanations in real life. You just get moments that are absolutely, utterly, inexplicably odd.
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He was no longer scared of what tomorrow might bring because yesterday has brought it.
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It stared at them, and it paused for a hundred years, which transpired in a dozen heart beats.
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Like the newspapers used to say, if the truth isn't big enough, you print the legend.
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A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.
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I want to go home. Then he mentally underlined the last sentence three times, rewrote it in huge letters in red ink, and circled it before putting a number of exclamation marks next to it in his mental margin.
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I think I would rather be a man than a god. We don’t need anyone to believe in us. We just keep going anyhow. It’s what we do.
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Face your life, its pain, its pleasure, leave no path untaken.
Neil Gaiman
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In the case of 'Ocean at the End of the Lane,' it's a book about helplessness. It's a book about family, it's a book about being 7 in a world of people who are bigger than you, and more dangerous, and stepping into territory that you don't entirely understand.
Neil Gaiman
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The Doctor: Sorry, do you have a name? Idris: Seven hundred years and finally he asks. The Doctor: But what do I call you? Idris: I think you call me... Sexy? The Doctor: [embarrassed] Only when we're alone. Idris: We are alone. The Doctor: Oh. Come on then, Sexy.
Neil Gaiman
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I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn't mean anything? What then?
Neil Gaiman