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What do I do now?” “I don’t know. Fade away, perhaps. Or find another role.

Neil Gaiman

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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
Actor
Author
Beekeeper
Blogger
Comics Writer
Film Director
Film Producer
Journalist
Novelist
Science Fiction Writer
Screenwriter
Writer
Portchester
Hampshire
Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
Away
Another
Find
Fade
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Perhaps
Roles

More quotes by Neil Gaiman

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Writing may or may not be your salvation it might or might not be your destiny. But that does not matter. What matters right now are the words, one after another. Find the next word. Write it down.
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We...we could be friends.' We COULD be rare specimens of an exotic breed of dancing African elephants, but we're not. At least, I'M not.
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I really don't know what I love you means. I think it means Don't leave me here alone.
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He tried to listen to the conversations going on at the table and he found that he could no longer concentrate on what anyone was saying and which was worse that he was not interested in any of what he was able to hear.
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Stories are the things that allow us to persuade each other that we're human.
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Reading is important. Books are important. Librarians are important. (Also, libraries are not child-care facilities, but sometimes feral children raise themselves among the stacks.)
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If you, as a parent, raise your children well, they won't need you anymore. If you did it properly, they go away.
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I'd love to think that people in the future would gather in theatres, at conventions, and in darkened rooms, and read it out to each other.
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I liked myths. They weren't adult stories and they weren't children's stories. They were better than that. They just were.
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And did I pass? The face of the old woman on my right was unreadable in the gathering dusk. On my left the younger woman said, You don't pass or fail at being a person, dear.
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To absent friends, lost loves, old gods, and the season of mists and may each and every one of us always give the devil his due.
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Can you believe it? Fifty miles from McDonald's. I didn't think there was anywhere in the world that was fifty miles from McDonald's.
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I don't want whatever I want. Nobody does. Not really. What kind of fun would it be if I just got everything I ever wanted just like that, and it didn't mean anything? What then?
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I went away in my head, into a book. That was where I went whenever real life was too hard or too inflexible.
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My theory on genre is that while there are people out there who believe that genre tells people what to read, actually I believe that genre exists as a marketing tool to tell you what to avoid.
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I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.
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My very small part in WATCHMEN is that, every now and then, Alan would phone me: ''Neil, you're an educated man. Where does it say...'' He would need a quote from the Bible, or an essay about owls. I was his occasional research assistant.
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America was, to them, the place that good people went to when they died. They were prepared to believe just about anything could happen in America.
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There's a tale in the Caballa that suggests that the Angel of Death is so beautiful that upon seeing it (or him, or her) you fall in love so hard, so fast, that your soul is pulled out through your eyes. I like that story.
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People take on the shapes of the songs and the stories that surround them, especially if they don't have their own song.
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