Quote

Shadow looked down at the girl on the table. “What happened to her?” he asked. “Poor taste in boyfriends,” said Jacquel. “It’s not always fatal.

Neil Gaiman

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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
Actor
Author
Beekeeper
Blogger
Comics Writer
Film Director
Film Producer
Journalist
Novelist
Science Fiction Writer
Screenwriter
Writer
Portchester
Hampshire
Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
Poor
Fatal
Girl
Table
Always
Tables
Shadow
Looked
Asked
Taste
Happened
Boyfriends

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You are an analog girl, living in a digital world.
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In Hollywood the man who cleans your pool is an actor. The man who sells you your copy of Variety is an actor. I don't think there's a real person left in the place.
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I'm somebody who considers happiness a journey, not a destination.
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She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)
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Sometimes human beings are very much like bees. Bees are fiercely protective of their hive, provided you are outside it. Once you’re in, the workers sort of assume that it must have been cleared by management and take no notice various freeloading insects have evolved a mellifluous existence because of this very fact. Humans act the same way.
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I toyed briefly with an image someone once mentioned to me, of a village in the shadow of a twin-peaked mountain. In the morning the sun rises. At lunch it sets behind the mountain. In the early afternoon it rises once more. The cocks crow for the second time, and later the sun sets again. No. One peak. Metaphors should not be belaboured.
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Lives are snowflakes - unique in detail, forming patterns we have seen before, but as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'd mistake one for another, after a minute's close inspection.)
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The names are the first things to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names.
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Why do I have this imagination? It's the only one I've got!
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You know what my mum once said?’ said Rosie… ‘She said that if a just-married couple put a coin in a jar every time they make love in their first year, and take a coin out for every time that they make love in the years that follow, the jar will never be emptied.’ And this means…?’ Well’, she said. ‘It’s interesting, isn’t it?
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Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.
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So, if a city has a personality, maybe it also has a soul. Maybe it dreams.
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After a while it sort of began to rain, which is to say that it was the kind of rain that never comes to a decision about whether it's actually raining or not. Driving in it, you would never have been certain whether or not to turn on your wipers.
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One of the things I'm concerned about is that I really want to make sure the races of all the characters are kept. I don't like it when black characters become white in movies, or things like that.
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I don't necessarily think stories have functions any more than diamonds have functions, or the sky has a function... Stories exist. They keep us sane, I think. We tell each other stories, we believe stories. I love watching the slow rise of the urban legend. They're the stories that we use to explain ourselves to ourselves.
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You can't just boss bacteria around like that, said the younger Mrs. Hempstock. They don't like it. Stuff and silliness, said the old lady. You leave wigglers alone and they'll be carrying on like anything. Show them who's boss and they can't do enough for you. You've tasted my cheese.
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Face your life, its pain, its pleasure, leave no path untaken.
Neil Gaiman
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I love mythic stuff. I love playing with gods, I love playing with myths. A lot of it has to do with that they're the basic places stories come from. They're the clay that you make the bricks out of.
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Ocean is more about ... powerlessness and hopelessness. When we're very small we can't actually do anything - we have no say in what happens, we have no money or resources, we sometimes have no idea what's going on.
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She really was pretty, for a grown-up person, but when you are seven, beauty is an abstraction, not an imperative. I wonder what I would have done if she had smiled at me like that now: whether I would have handed my mind or my heart or my identify to her for the asking, as my father did.
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