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For me, I would rather read a good book, from a contented author. I don't really care what it takes to produce that.

Neil Gaiman

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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
Actor
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Film Director
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Portchester
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Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
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More quotes by Neil Gaiman

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Twitter is great and it's glorious and it's easy, but if somebody comes up with something kind of like Twitter tomorrow, that's better or smarter or more useful, in three weeks time, Twitter could more or less be history because that's how fast things go.
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We owe it to each other to tell stories.
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If you cared enough about your characters, what happened to them was interesting... it's important to care about them, about who they are and what they do...I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them.
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Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.
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All cats can see futures, and see echoes of the past. We can watch the passage of creatures from the infinity of now, from all the worlds like ours, only fractionally different. And we follow them with our eyes, ghost things, and the humans see nothing.
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Actually I didn't shoot a man in Reno just to watch him die, but he could tell I was extremely cross.
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Really, he thought, if you couldn't trust a poet to offer sensible advice, who could you trust?
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Nothing's ever the same, she said. Be it a second later or a hundred years. It's always churning and roiling. And people change as much as oceans.
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Jesus. Low-Key Lyesmith, said Shadow. and then he heard what he was saying and he understood. Loki, he said. Loki Lie-smith. You're slow, said Loki, but you get there in the end. And his lips twisted into a scarred smile and the embers danced in the shadows of his eyes.
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The problems with success, frankly, are infinitely preferable to the problems of failure.
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You can't trust other people. If it's important, you have to do it yourself.
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People take on the shapes of the songs and the stories that surround them, especially if they don't have their own song.
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I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.
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THE MAGIC AND THE DANGER OF FICTION IS THIS: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong.
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Coraline wondered why so few of the adults she met made any sense.
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When angels go bad they are worse than anyone else. Remember Lucifer used to be an angel.
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When most people said I'm psychic, you see, they meant I have an overactive but unoriginal imagination/wear black nail varnish/talk to my budgie when Anathema said it, it sounded as though she was admitting to a hereditary disease which she'd much prefer not to have.
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Adult helplessness destroys children. Or it forces them to become tiny adults of their own.
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She found herself to be quite worried that something would jump out at her, so she began to whistle. She thought it might make it harder for things to jump out at her, if she was whistling.
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Then one stupid person, no different from any other stupid person, wanders into your stupid life... You give them a piece of you. They don't ask for it. They do something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore.
Neil Gaiman