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The names are the first things to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names.
Neil Gaiman
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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
Actor
Author
Beekeeper
Blogger
Comics Writer
Film Director
Film Producer
Journalist
Novelist
Science Fiction Writer
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Portchester
Hampshire
Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
Firsts
Beating
First
Breath
Heart
Breaths
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Longer
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It doesn't matter that I can't remember the details any longer: death happened to her. Death happens to all of us.
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And did I pass? The face of the old woman on my right was unreadable in the gathering dusk. On my left the younger woman said, You don't pass or fail at being a person, dear.
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If you want to call it that. But it is a very specific sort of magic. There's a magic you take from death. Something leaves the world, something else comes into it.
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I've been blogging since February of 2001. When I started blogging, it was a dinosaur blog. It was me and a handful of tyrannosaurs. We'd be writing blog entries like, 'The tyrannosaurus is getting grumpy.'
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I'd love to write some porn, but I don't know if I have the right engines. When I was a young man and I was tempted to write porn, imaginary parents would appear over my shoulder and read what I was writing just about the point that I managed to banish the imaginary parents, real children would lean over my shoulder and read what I was writing.
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When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn't be a brick wall. So I'd sidle over to the door and I'd pull it open.
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The Doctor: Sorry, do you have a name? Idris: Seven hundred years and finally he asks. The Doctor: But what do I call you? Idris: I think you call me... Sexy? The Doctor: [embarrassed] Only when we're alone. Idris: We are alone. The Doctor: Oh. Come on then, Sexy.
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I love CGI if it's invisible. I don't like it when it's there and obvious.
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In order for stories to work - for kids and for adults - they should scare. And you should triumph. There's no point in triumphing over evil if the evil isn't scary.
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You mourn, for it is proper to mourn. But your grief serves you you do not become a slave to grief. You bid the dead farewell, and you continue.
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The future came and went in the mildly discouraging way that futures do.
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Books were safer than other people anyway.
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