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What are these fundamental principles, if they are not atoms? Stories. And they give me hope.

Neil Gaiman

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Neil Gaiman
Age: 64
Born: 1960
Born: November 10
Actor
Author
Beekeeper
Blogger
Comics Writer
Film Director
Film Producer
Journalist
Novelist
Science Fiction Writer
Screenwriter
Writer
Portchester
Hampshire
Neil Richard Gaiman
Neil Richard MacKinnon Gaiman
Principles
Hope
Stories
Give
Giving
Atoms
Fundamental
Fundamentals

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I think of myself as a very lazy author.
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EVERY ENDING IS A NEW BEGINNING. YOUR LUCKY NUMBER IS NONE. YOUR LUCKY COLOUR IS DEAD. Motto: LIKE FATHER, LIKE SON.
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I was bright, and I could use that as a weapon: words can wound, whatever those sticks and stones sayings claim about them never hurting, and I could use them if I had to.
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The best thing about doing a signing tour is that numbers become faces. I got to sign books for six or seven thousand people, all of whom were dreadfully nice. Everything else, the interviews, the hotels, the plane travel, the best-seller lists, even the sushi, gets old awfully fast. Well, maybe not the sushi.
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The moonlight was enough. It would do.
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As sure as water's wet and days are long and a friend will always disappoint you in the end.
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I noticed a long time ago that the Universe rewards belief systems. It doesn't really matter what you believe - it'll be there and waiting for you if you go and look for it. Decide the universe is, say, run by secret enormous teddy bears, and I can guarantee you'll immediately start running across evidence that this is true.
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The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.
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Amy: This time can we... lose the bunk beds? The Doctor: No Bunk beds are cool, a bed with a ladder, you can't beat that!
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I went away in my head, into a book. That was where I went whenever real life was too hard or too inflexible.
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Actually I didn't shoot a man in Reno just to watch him die, but he could tell I was extremely cross.
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A book is a dream that you hold in your hands.
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People want to forget the impossible. It makes their world safer.
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You can't make me love you.
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It begins, as most things begin, with a song.
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I thought I was your destination. Looks like I was just another stop on the line.
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I asked him if it were a mirage, and he said yes. I said it was a dream, and he agreed, But said it was the desert's dream not his. And he told me that in a year or so, when he had aged enough for any man, then he would walk into the wind, until he saw the tents. This time, he said, he would go on with them.
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If you cared enough about your characters, what happened to them was interesting... it's important to care about them, about who they are and what they do...I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them.
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I kept starting 'Anansi Boys' as a movie and stopping, and eventually wrote the novel and was happy.
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Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth.
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