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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.

Nathalie Sarraute

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Nathalie Sarraute
Age: 97 †
Born: 1902
Born: July 18
Died: 1999
Died: September 19
Author
Lawyer
Literary Critic
Novelist
Playwright
Poet Lawyer
Writer
Ivanovo-Voznesenks
Heard
Produced
Often
France
Wells
Impression
Well
Along
Many
Novel
Dead
Week
Carrying
Quite
Novels

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Literature is always trying to show other parts of this immense universe in which we live. It's endless. I'm sure there will be other writers who will discover new worlds.
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For me, the poetry in a work is that which makes visible the invisible.
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All psychological research is completely barred by the interpretations of the psychoanalysts. Everything happens in the unconscious, and I don't know what this unconscious is.
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The act of writing is a kind of catharsis, a liberation, but I never really concerned myself with that. I write because it interests me.
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Poetry is what makes the invisible appear.
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One can't write without having read - you have to read before beginning to write - and universities offer a very good opportunity to read.
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We're swallowed up only when we are willing for it to happen.
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It's the duty of all novelists, all painters, all musicians, all people who try to make art move: to look for something they feel authentically, without paying attention to styles.
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The novel moves like all the arts. It's transforming itself all the time.
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Suspicion is one of the morbid reactions by which an organism defends itself and seeks another equilibrium.
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I don't for a minute think that Hitler is like Joan of Arc. But I think that at that deep level of tropisms, Hitler or Stalin must have experienced the same tropisms as anyone else.
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Neither reproaches nor encouragements are able to revive a faith that is waning.
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It's a question of not copying the masters, to look for something, good or bad, for oneself. To enter this liberated state of mind, one cannot copy the others.
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I don't admire Freud as much as some people do. Imagine Shakespeare being aware of the Oedipal complex when he wrote Hamlet. It would have been a disaster.
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I have never sought the reason why I write.
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