Quote

Trying to convince someone that they are a racist or they have White Privilege - if it's in the air they breathe and the culture supports them, sometimes they never have to think about it at all.

Nate Parker

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Nate Parker
Age: 44
Born: 1979
Born: November 18
Actor
Amateur Wrestler
Coach
Film Actor
Film Director
Film Producer
Professional Wrestler
Screenwriter
Norfolk
Virginia
Trying
Breathe
Never
Privilege
Think
Air
Thinking
Support
White
Culture
Supports
Someone
Racist
Sometimes
Convince

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I'm not perfect, I'm a flawed man, but I'm willing to try to get better, I'm willing to listen.
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I never examined my role in male culture, in hyper masculinity. I never examined it, nobody ever called me on it.
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I think Jesse [Zwick] is part of a new generation of director, because we'd be kidding ourselves if we did not acknowledge that there is this unsaid rule that the hero looks a certain way.
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This is the psychosis of being a human being - the things that we deal with on a day-to-day basis that make us who we are and that sometimes we have to get on the couch and talk out.
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If I can use my platform to affect change in gender, as I can in race, then I think I can have an impact.
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When an artist becomes complacent, he dies.
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I prefer to make movies which not only have a message for then but a message for now.
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Far too often scripts are being written with race in mind, but the subject matter doesn't lend itself to any conversation on race. I applaud Jesse [Zwick] for having the courage to say, this [About Alex] just a story about friends, and they could be anyone. There's no specific color that forces a relationship to be discussed in any other manner.
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It's therapy. [people] say true healing requires honest confrontation, and that can be seen on a macro scale with America and the things that have been swept under the rug, whether it be with the native Americans or slavery, or whatever holocaust that's happened on this soil.
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In all actuality, we got to do better about preparing our men for their interactions with women.
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Being a woman in 2016 if very different, imagine being a woman 20 years ago, and when we talk about consent, maybe 20 years from now we'll know things about consent and examine it from a different perspective than we are now.
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The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
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I was working in computers when this stranger approached me out of the blue, saying I should become an actor. I took it as a gift from God, because I had been praying for clarity about what He wanted me to do, since I wasn't happy in computers.
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I can't remember ever having a conversation about the definition of consent when I was a kid. I knew that no meant no, but that's it.
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I have engaged in hyper-male culture, and I'm learning about it, and I'm learning how I can change and help young boys and young men change.
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I think it takes a lot of courage to be able to direct a film. If you have that courage and that vision together, and you pick the cast that you believe will achieve your vision, you win.
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When you're 19, getting a girl to say yes, or being a dog, or being a player, cheating. Consent is all about - for me, back then - if you can get a girl to say yes, you win.
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Self-esteem and identity are very fragile things. I think a lot of times, those are the motivations for why people do take their own lives - not being seen, not being recognized, not being loved, not feeling supported, not feeling understood.
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I'm trying to transform behaviors and ideas that have never been challenged in certain ways in my life. I'm not the kid that I was at 19.
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My mother always tells me, Fear isn't from God, and I believe that. But sometimes, I wonder whether I'll be able step into the shoes that God has prepared for me.
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