I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.

The night schedule is a crazy pit I fall into most of the time, but I do like it because the buzz of normal professionalism has gone away. Even though you're working, you feel like you're playing.

I'm really interested in the difference between selfishness and generosity. It confuses me to no end because sometimes it all just feels like pure indulgence on my part.

A lot of people use a smiley face when they write letters. But it's this huge insane compulsion, like I'm happy! I swear! I'm not buying it. I don't believe them.

A lot of the images I use are already out there in the public or in the news. I just steal them or photograph them or repaint them, so they've already been talked about, already been consumed.

Language is the most beautiful and destructive thing because it allows you to express yourself, but it totally confuses everything.

There are so many different desires that make you execute an artwork.

For me, Corsica is a place that I visited with my friends, maybe five or six times over the years, and I'm so happy there that I wanted to make a painting about it almost just to share with my friends, but it's so difficult when all your feelings are one way, and they're very sort of happy and pleasant. It's impossible to make a painting about it.

It's nice that I can go down the road of obsessing over this smiley-face bullshit so maybe I can get free from it and think about something else-it's so banal and yet so crazy!