Whats in the movie compared to what we shot is the tip of the iceberg.

As I grew up in that world and saw how much it affected her world and how much it affected our childhood, it made me very aware of politics. Of course, I have my own private feelings and thoughts, but I don't care to share them.

Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.

What my father especially taught me was to not always take the safe road, the easy road. If you are going to do good work, you have to risk failing badly.

When my father died of AIDS, I knew I had to do everything in my power to prevent others from going through what he endured. I support AmFAR which provides funds for cutting edge AIDS research so we can find a vaccine and a cure.

I know the pressures of being the daughter of a great actress. But it's inspiring. You learn so much that other people don't get to learn until later on. My father being a director, I learnt a real work ethic.

I was definitely incredibly close to my dad, in a way that was all-encompassing. I am close to my mum, too, but there were areas that she and I did not share. So his loss to me was huge, personally and professionally. He believed in me, not just as a father, but as a director, and that always meant a lot.

Cheerleading is life, you must give it your all, and always strive to be on top. It teaches you so much, from how to be a team player, leadership, dedication, confidence, and many other qualities.

Im not the kind of actress that goes home with the character. I mean, youre thinking about the work or the next days scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.

I need advice and opinion-honest opinion. I want to get better. Why go around with blinkers on?

A film is a director's vision... there is, however, much input an actor or actress can have.