Quote

I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Mood
Ballad
Didn
Totally
Impacts
Become
Impact
Photographing
Live
Lived
Relates
Look
Interested
Ballads
Looks
Outside
Locked
Years
Inside
Landscape
Really
Relate
World
House

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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
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I don't think of Maria Schneider like idol anymore, because I worshipped her when I was young.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.
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I did [heroin] maybe when I was 18 but I got over that pretty quickly.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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I remember so many girls when I was growing up who hated the way they looked.
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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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I also met Dominique Sanda, who I always worshipped.
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If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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