Quote

Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Years
Course
Wearing
Make
Face
Red
Never
Though
Anywhere
Faces
Wear
Form
Continue
Without
Broken
Self
Went
Lipstick
Even
Courses
Preservation

More quotes by Nan Goldin

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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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I remember so many girls when I was growing up who hated the way they looked.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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I had said that when the first Bush got elected that I would leave the country. And when the second Bush wasn't even elected properly.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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I don't think of Maria Schneider like idol anymore, because I worshipped her when I was young.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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I have very healthy strong relationships with women.
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I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.
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I never read theory. I think that was to my benefit.
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I won't show a picture where a person doesn't look beautiful.
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