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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Performance
Performances
Early
Carlo
Film
Nicolas
Work
Welles
Love
Michelangelo
Jack
Influenced

More quotes by Nan Goldin

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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's Flaming Creatures.
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I like it [Rotterdam] much better than Amsterdam which is too much like a postcard. It's too cute for me. Rotterdam is more real, it's got a stomach.
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The thing that drives me most crazy in the world is not to be believed.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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I remember so many girls when I was growing up who hated the way they looked.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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I won't show a picture where a person doesn't look beautiful.
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If I do continue to do fashion, I would want to radicalise it.
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I did [heroin] maybe when I was 18 but I got over that pretty quickly.
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I have very healthy strong relationships with women.
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I also met Dominique Sanda, who I always worshipped.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
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