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I start to paint my walls. And I'm heavily influenced by films.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Films
Wall
Start
Film
Heavily
Influenced
Walls
Paint

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I remember so many girls when I was growing up who hated the way they looked.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
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Gena Rowlands is fabulous.
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I don't think of Maria Schneider like idol anymore, because I worshipped her when I was young.
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I like it [Rotterdam] much better than Amsterdam which is too much like a postcard. It's too cute for me. Rotterdam is more real, it's got a stomach.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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The things that I look at include Renaissance art. I'm obsessed with churches and paintings of saints.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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The thing that drives me most crazy in the world is not to be believed.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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I also met Dominique Sanda, who I always worshipped.
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If I do continue to do fashion, I would want to radicalise it.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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I did [heroin] maybe when I was 18 but I got over that pretty quickly.
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