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I start to paint my walls. And I'm heavily influenced by films.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Walls
Paint
Films
Wall
Start
Film
Heavily
Influenced

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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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Gena Rowlands is fabulous.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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I did [heroin] maybe when I was 18 but I got over that pretty quickly.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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The thing that drives me most crazy in the world is not to be believed.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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Stella McCartney is [my] big fan.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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I remember so many girls when I was growing up who hated the way they looked.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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I like it [Rotterdam] much better than Amsterdam which is too much like a postcard. It's too cute for me. Rotterdam is more real, it's got a stomach.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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My life is more important. At this point in my life I'm alone. I don't think about it a lot.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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