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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
Nan Goldin
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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Painting
Walls
Show
Colour
Idea
Manage
Whitechapel
Shows
Figure
Colours
Together
Paint
Varied
Ideas
Tried
Renaissance
Work
Figures
Gallery
Wall
Paintings
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I never thought heroin was very chic.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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I won't show a picture where a person doesn't look beautiful.
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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's Flaming Creatures.
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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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The thing that drives me most crazy in the world is not to be believed.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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If I do continue to do fashion, I would want to radicalise it.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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Gena Rowlands is fabulous.
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Stella McCartney is [my] big fan.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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I also met Dominique Sanda, who I always worshipped.
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If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
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I never read theory. I think that was to my benefit.
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