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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
Nan Goldin
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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Without
Saint
Guilt
Catholic
Painting
Seeing
Church
Saints
Freedom
Churches
Eye
Paintings
More quotes by Nan Goldin
Gena Rowlands is fabulous.
Nan Goldin
I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
Nan Goldin
I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's Flaming Creatures.
Nan Goldin
When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
Nan Goldin
I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
Nan Goldin
As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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I won't show a picture where a person doesn't look beautiful.
Nan Goldin
I never thought heroin was very chic.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
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I also met Dominique Sanda, who I always worshipped.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
Nan Goldin
Stella McCartney is [my] big fan.
Nan Goldin
I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
Nan Goldin
I also photographed Maggie Cheung - but these didn't develop into a friendship either.
Nan Goldin
The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
Nan Goldin
It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
Nan Goldin
I have very healthy strong relationships with women.
Nan Goldin