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The things that I look at include Renaissance art. I'm obsessed with churches and paintings of saints.
Nan Goldin
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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Things
Paintings
Obsessed
Saint
Painting
Church
Renaissance
Art
Saints
Look
Include
Looks
Churches
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I did [heroin] maybe when I was 18 but I got over that pretty quickly.
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If I do continue to do fashion, I would want to radicalise it.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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Gena Rowlands is fabulous.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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My life is more important. At this point in my life I'm alone. I don't think about it a lot.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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I also met Dominique Sanda, who I always worshipped.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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I never read theory. I think that was to my benefit.
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I never thought heroin was very chic.
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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Stella McCartney is [my] big fan.
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