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I had said that when the first Bush got elected that I would leave the country. And when the second Bush wasn't even elected properly.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Country
Elected
Even
Properly
Would
Bush
Second
Leave
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More quotes by Nan Goldin

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The things that I look at include Renaissance art. I'm obsessed with churches and paintings of saints.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
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I start to paint my walls. And I'm heavily influenced by films.
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It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
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I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
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I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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I won't show a picture where a person doesn't look beautiful.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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