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It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Either
Woman
Shows
Real
Sexuality
Rare
Female
Clothes

More quotes by Nan Goldin

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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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If I do continue to do fashion, I would want to radicalise it.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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I start to paint my walls. And I'm heavily influenced by films.
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I never thought heroin was very chic.
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I don't think of Maria Schneider like idol anymore, because I worshipped her when I was young.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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I had said that when the first Bush got elected that I would leave the country. And when the second Bush wasn't even elected properly.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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I have very healthy strong relationships with women.
Nan Goldin
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
Nan Goldin
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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
Nan Goldin