Quote

If I do continue to do fashion, I would want to radicalise it.

Nan Goldin

Change background

T
T
T

Change font

TAGS & TOPICS

Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Continue
Fashion
Would

More quotes by Nan Goldin

Image
I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.
Nan Goldin
Image
I also photographed Maggie Cheung - but these didn't develop into a friendship either.
Nan Goldin
Image
The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
Nan Goldin
Image
I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's Flaming Creatures.
Nan Goldin
Image
I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
Nan Goldin
Image
I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
Nan Goldin
Image
I start to paint my walls. And I'm heavily influenced by films.
Nan Goldin
Image
[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
Nan Goldin
Image
Stella McCartney is [my] big fan.
Nan Goldin
Image
I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
Nan Goldin
Image
When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
Nan Goldin
Image
[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
Nan Goldin
Image
That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
Nan Goldin
Image
I never read theory. I think that was to my benefit.
Nan Goldin
Image
The things that I look at include Renaissance art. I'm obsessed with churches and paintings of saints.
Nan Goldin
Image
I have very healthy strong relationships with women.
Nan Goldin
Image
Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
Nan Goldin
Image
I had said that when the first Bush got elected that I would leave the country. And when the second Bush wasn't even elected properly.
Nan Goldin
Image
I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
Nan Goldin
Image
I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
Nan Goldin