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I also photographed Maggie Cheung - but these didn't develop into a friendship either.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Friendship
Either
Didn
Also
Maggie
Photographed
Develop

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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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I remember so many girls when I was growing up who hated the way they looked.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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I start to paint my walls. And I'm heavily influenced by films.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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I like it [Rotterdam] much better than Amsterdam which is too much like a postcard. It's too cute for me. Rotterdam is more real, it's got a stomach.
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I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
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Gena Rowlands is fabulous.
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
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I never thought heroin was very chic.
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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
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I also met Dominique Sanda, who I always worshipped.
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