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I also met Dominique Sanda, who I always worshipped.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Dominique
Worshipped
Mets
Also
Always

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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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The things that I look at include Renaissance art. I'm obsessed with churches and paintings of saints.
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Gena Rowlands is fabulous.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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The thing that drives me most crazy in the world is not to be believed.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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I never read theory. I think that was to my benefit.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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Stella McCartney is [my] big fan.
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