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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Wearing
Enormous
Clothes
Fashion
Women
Done
Make
Ambivalence
World
Designer

More quotes by Nan Goldin

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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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I never thought heroin was very chic.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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Gena Rowlands is fabulous.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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I start to paint my walls. And I'm heavily influenced by films.
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
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As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
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If I do continue to do fashion, I would want to radicalise it.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's Flaming Creatures.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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[I want to] refuting the whole idea that there is only one way to look that women have to be so skinny to look good that they have to be 12 years old and wearing clothes that only women in their 30s and 40s can afford.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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