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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Make
Ambivalence
World
Designer
Wearing
Enormous
Clothes
Fashion
Women
Done

More quotes by Nan Goldin

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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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I start to paint my walls. And I'm heavily influenced by films.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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I never read theory. I think that was to my benefit.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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As a non-Catholic, and since I was a child, I have been obsessed with the ritual and the beauty of Catholic art. I look at Renaissance art all the time.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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I won't show a picture where a person doesn't look beautiful.
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I never thought heroin was very chic.
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The thing that drives me most crazy in the world is not to be believed.
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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