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I don't think of Maria Schneider like idol anymore, because I worshipped her when I was young.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Idols
Anymore
Young
Think
Thinking
Schneider
Like
Maria
Worshipped
Idol

More quotes by Nan Goldin

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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, We don't have anything in your size.
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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
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I never read theory. I think that was to my benefit.
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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's Flaming Creatures.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.
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I'm very flattered when people I respect like my work. It's like a dream of a little kid when somebody I idolised likes my work.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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Stella McCartney is [my] big fan.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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