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The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment.
Nan Goldin
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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Moment
Camera
Lives
Cameras
Moments
Presence
Someone
Complete
Saturation
Seems
Subject
Notices
Care
Private
Indicates
Neither
Disregard
Subjects
Invited
More quotes by Nan Goldin
I never thought heroin was very chic.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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I never read theory. I think that was to my benefit.
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It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
Nan Goldin
The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
Nan Goldin
I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
Nan Goldin
Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.
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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.
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No Jews have our own guilt, that's why we have psychiatrists - the Jewish version of a priest.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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Stella McCartney is [my] big fan.
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When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
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If I do continue to do fashion, I would want to radicalise it.
Nan Goldin
If I say something honestly, generally, I am being completely honest and don't tell me I am lying. It drives me crazy to be told I set up my pictures. How does it benefit me to lie? I guess they are afraid to believe it and are afraid to look at it.
Nan Goldin
I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
Nan Goldin