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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Anything
Memories
Persons
Loses
Person
Anyone
Enough
Show
Much
Lost
Photographed
Always
Shows
Pictures
Never
Place
Memory
Would
Thought
Lose

More quotes by Nan Goldin

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I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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I know somewhat about Kate [Moss who featured in the Vogue spread]. I always thought that Kate's look had come from my old friend Siobhan Liddell and some of her friends because they dressed like that about ten years ago. Unconsciously, and right after that, that whole look sort of came out.
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Gena Rowlands is fabulous.
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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
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I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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I had said that when the first Bush got elected that I would leave the country. And when the second Bush wasn't even elected properly.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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I knew from a very early age, that what I saw on tv had nothing to do with real life. So I wanted to make a record of real life. That included having a camera with me at all times.
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One of my assistants, a British man, says I should find a platform for [cosmetic industry]. Meanwhile I wear make-up.
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I also met Dominique Sanda, who I always worshipped.
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I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
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I start to paint my walls. And I'm heavily influenced by films.
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It's a hideous feeling to go round shopping and even feel like you are a freak.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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Stella McCartney is [my] big fan.
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I have the freedom of seeing it [churches and paintings of saints] with a non-Catholic eye without the guilt.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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