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I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.

Nan Goldin

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Nan Goldin
Age: 71
Born: 1953
Born: September 12
Photographer
Printmaker
Washington
District of Columbia
Nancy Goldin
Nancy Nan Goldin
Would
Thought
Lose
Anything
Memories
Persons
Loses
Person
Anyone
Enough
Show
Much
Lost
Photographed
Always
Shows
Pictures
Never
Place
Memory

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I also photographed Maggie Cheung - but these didn't develop into a friendship either.
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I'm not ashamed of my body and you know everything in the fashion world, if I was vulnerable to it, could drive me crazy. I think it produces so much self-hatred.
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My life is more important. At this point in my life I'm alone. I don't think about it a lot.
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I don't even like photography at all. I'm just doing photography until I can do something better.
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It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
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The only time I went out was to go to bars at night and all the pictures were taken with a flash because there was no light at all. However now I'm very interested in light.
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I remember so many girls when I was growing up who hated the way they looked.
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Of course I was wearing make-up, I never went anywhere without red lipstick for 25 years! It was a form of self-preservation for me to continue to wear lipstick even though my face was broken.
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I also met Dominique Sanda, who I always worshipped.
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The main thing that I want to say is that I don't think women are at their most beautiful in their adolescence or in their early 20s.
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I like Stella [McCartney] a lot - she's a very open and warm person. I don't particularly want to know about her background.
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I never read theory. I think that was to my benefit.
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I don't think of Maria Schneider like idol anymore, because I worshipped her when I was young.
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I never thought heroin was very chic.
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I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.
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I start to paint my walls. And I'm heavily influenced by films.
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That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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American magazines are becoming very patriotic beyond belief to the point that I can't live there any more.
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[I influenced by ]the work of early [Michelangelo] Antonioni, Orson Welles and [Carlo] Pasolini, I love [Nicolas Jack] Roeg's film Performance.
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I've got really prolific since I moved to Paris where I am living permanently, for the rest of my life, until I find another idea. I have really close women friends here: Valerie, Raymonde, not Joana so much, Maria Schneider, who was always a real heroine of mine who and has now become a close friend.
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