I paint to rest from the phenomena of the external world - to pronounce it -- and to make notations of its essences with which to verify the inner eye.

You must first realize the thing completely in your mind. Then grasp the brush, fix your attention so that you see clearly what you wish to paint start quickly, move the brush, follow straight what you see before you, as the buzzard swoops down when the hare jumps out. If you hesitate one moment, it is gone.

The artists of Asia have spiritually realized form, rather than aesthetically invented or imitated form, and from them I have learned that art and nature are mind's Environment within which we can detect the essence of man's Being and Purpose, and from which we can draw clues to guide our journey from partial consciousness to full consciousness.

It may not always be obvious at first, but I think that everyone can make a valuable contribution if only they put their minds to it.

I paint to evoke a changing language of symbols, a language with which to remark upon the qualities of our mysterious capacities which direct us towards the ultimate reality.

Such compositions, line and color ideas, such wonders come into my mind and have stuck! - They will this time be dismissed only by being painted out.