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There's something about us using the word fascism and thinking about, What is it? What does it mean, and what are the tenets of it?.

Morgan Parker

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Morgan Parker
Age: 50
Born: 1974
Born: January 1
Word
Doe
Mean
Something
Thinking
Tenets
Fascism
Using

More quotes by Morgan Parker

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Sometimes it's just rejecting stereotypes, sometimes it's creating work. Sometimes it's just blocking out the noise.
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I think sometimes the stars align whether we want them to or not. And we're drawn to certain people and places for no other reason than...Destiny.
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I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.
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The book [There are More Beautiful Things Than Beyoncé?] is quite complex, and I was worried that it would be marketed as one-sided or flat, and I knew that Mickalene's [Tomas] work would be able to encompass all the many states of being that are in the book.
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I wanted [the book 'There are More Beautiful Things Than Beyoncé?'] to be colorful. I wanted it to be evocative. I wanted a figure of a black woman that the reader has to confront.
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I also think that [political turmoil] gives artists something, a way of kind of processing.
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I guess the only thing I'd say is it ['There are More Beautiful Things Than Beyoncé?'] shouldn't be read as Beyoncé is not beautiful.
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So much of the world and the systems that we live within are made to keep us from feeling like we're free. The way that black women in American came to be is just diametrically opposed to being free.
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I liked the idea of using this mega-star [Beyoncé ] to talk about all those things on the tiny scale of my life.
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It's been interesting to look back on those works [I've done previously] and see all the things that Beyoncé has done and become for us in the meantime, because back then, folks were like, Why Beyoncé? I don't get why she is kind of the symbol for black womanhood.
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I've been thinking a lot about folks denying what has happened in history, or just not acknowledging it.
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It's hard for black women to ask for help. We think we don't need it. We're used to being in pain and living with it.
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I don't claim to say, All black women are like me, because they're not.
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Hard times are really a fire under your ass to prioritize and think, Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process?
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There was something about Beyoncé that felt like a vessel, I guess, that I could kind of impose all of these feelings and thoughts onto. I was drawn to a little bit of a dichotomy between the glamour and celebrity and the very deep and complex legacy of black women, and what that means in terms of performance.
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In grad school, a friend and I gave ourselves the task of writing poems in the voice of Beyoncé and Lady Gaga after they did the collaboration for Telephone. I just kind of kept going. That was quite a while ago - Beyoncé meant something very different then than she does now.
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I spent a lot of time trying to layer upon layer upon layer as I wrote. I think that's often the fear of a writer, that little nuances won't get picked up.
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I don't think that there are as many black women or women of color becoming psychiatrists, so we can't find them and then we feel looked at and studied and that's part of what is damaging to us. It's hard to find therapy that is actually a tool for your own liberation. I think we can be really distrustful.
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I think that we need to make it our goal to define freedom for ourselves.
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I struggle with depression and anxiety, and I have since I was a teenager. I spent a good chunk of time being very ashamed of that. Now I feel committed to talking about it and trying to normalize it as much as I can.
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