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In grad school, a friend and I gave ourselves the task of writing poems in the voice of Beyoncé and Lady Gaga after they did the collaboration for Telephone. I just kind of kept going. That was quite a while ago - Beyoncé meant something very different then than she does now.

Morgan Parker

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Morgan Parker
Age: 50
Born: 1974
Born: January 1
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I don't claim to say, All black women are like me, because they're not.
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Hard times are really a fire under your ass to prioritize and think, Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process?
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There's so much about the strong black woman stereotype that makes us forget that we do need and deserve help and care.
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I liked the idea of using this mega-star [Beyoncé ] to talk about all those things on the tiny scale of my life.
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I've been thinking a lot about folks denying what has happened in history, or just not acknowledging it.
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Sometimes I feel as though I'm trying to take a hit for the team so that other people then can move forward. I'm like, Look, I just laid out all of my stuff, so what's the worst that can happen?.
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My friends and I have all been super motivated to work and to do the work that we need to and want to and think should be in the world.
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I guess the only thing I'd say is it ['There are More Beautiful Things Than Beyoncé?'] shouldn't be read as Beyoncé is not beautiful.
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I think sometimes the stars align whether we want them to or not. And we're drawn to certain people and places for no other reason than...Destiny.
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There was something about Beyoncé that felt like a vessel, I guess, that I could kind of impose all of these feelings and thoughts onto. I was drawn to a little bit of a dichotomy between the glamour and celebrity and the very deep and complex legacy of black women, and what that means in terms of performance.
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So much of the world and the systems that we live within are made to keep us from feeling like we're free. The way that black women in American came to be is just diametrically opposed to being free.
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I think that we need to make it our goal to define freedom for ourselves.
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I wanted [the book 'There are More Beautiful Things Than Beyoncé?'] to be colorful. I wanted it to be evocative. I wanted a figure of a black woman that the reader has to confront.
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It's been interesting to look back on those works [I've done previously] and see all the things that Beyoncé has done and become for us in the meantime, because back then, folks were like, Why Beyoncé? I don't get why she is kind of the symbol for black womanhood.
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There's something about us using the word fascism and thinking about, What is it? What does it mean, and what are the tenets of it?.
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