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Love is transient even on a very personal level. We lose everyone that we love. Sometimes we drift apart and sometimes we die.

Mohsin Hamid

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Mohsin Hamid
Age: 53
Born: 1971
Born: July 23
Novelist
Writer
Lose
Levels
Loses
Dies
Drift
Everyone
Transient
Sometimes
Apart
Even
Level
Love
Personal

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For me, language is about the impossibility of communicating what we precisely wish to communicate and this gorgeous attempt that we make to do that anyway. I love that we will never say exactly what we mean, but we will forever keep trying.
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It seems an obvious thing to say, but you should not imagine that we Pakistanis are all potential terrorists, just as we should not imagine that you Americans are all undercover assassins.
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Television has given Pakistan a truly open national forum for the first time in its history. Ideas are debated, leaders are assessed and criticised, and a nation of 170 million people is finally discovering, together, what it thinks.
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It's important to have a non-nostalgic view and say, let's look forward, because if we don't, all we'll hear are voices telling us to go back.
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You're a watchful guy. you know where that comes from? I shook my head. It comes from feeling out of place, he said. Believe me. I know.
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The fruits of labor are delicious, but individually they’re not particularly fattening. So don’t share yours, and munch on those of others whenever you can.
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There's a reason prophets perform miracles language lacks the power to describe faith.
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What used to help us to cope with transience was stuff like, extended families all living in one place, or very strong religious beliefs, or a tribe that would outlive you. That stuff is getting weaker.
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Lived religion is a very different thing from strict textual analysis. Very few people of any faith live their lives as literalist interpretations of scripture.
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Walking is very good for writers. There's something fundamentally useful about not talking to anybody, not looking at a screen, and being in nature - even if that nature is an urban environment.
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I felt suddenly very young - or perhaps I felt my age.
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I did not grow up in poverty. But I did grow up with a poor boy's sense of longing, in my case not for what my family had never had, but for what we had had and lost.
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All human stories are migration stories because everyone is a refugee from their own childhood.
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The anger is useful too because when things about the world upset you, that is really a fertile feeling to channel into fiction and to put out into books.
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I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.
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Novels are make-believe and play for adults.
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I commit her to memory. When I'm alone, I feel a strange yearning, the hunger of a man fasting not because he believes but because he's ashamed. Not the cleansing hunger of the devout, but the feverish hunger of the hypocrite. I let her go every evening only because there's nothing I can do to stop her.
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