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In Italian, the word for novel is romanzo, the romance. The English is novel - something new. Both of those elements, experimentation and love, are fundamental to the form.
Mohsin Hamid
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Mohsin Hamid
Age: 53
Born: 1971
Born: July 23
Novelist
Writer
English
Elements
Novel
Word
Experimentation
Form
Italian
Something
Fundamental
Love
Romance
Fundamentals
More quotes by Mohsin Hamid
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
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I think we should be prepared, given environmental and political change for large-scale migration. If sea levels rise and 200 million people in Bangladesh and 300 million people in Indonesia need to move, and the entire Chinese seaboard, New York City - that's going to be huge.
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We keep the negative stuff because it's the negative stuff that's going to, you know, potentially kill us. That fin in the water - maybe it is a shark. That yellow thing behind the tree - maybe it is a lion. You need to be scared.
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You're never rude,' she said, smiling, 'and I think it's good to be touchy sometimes. It means you care.
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When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.
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America's strength has made it a sort of Gulliver in world affairs: By wiggling its toes it can, often inadvertently, break the arm of a Lilliputian.
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Islam is not a race, yet Islamophobia partakes of racist characteristics.
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So in many ways, the bombing at the end of this year and the terrorist attack of last year in Peshawar have bookended both those years in a very unfortunate way. But at a bigger picture since, the impression in Pakistan is that things are actually improving on the terrorism front quite dramatically.
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For me, writing a novel is like solving a puzzle. But I don't intend my novels as puzzles. I intend them as invitations to dance.
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I think that people are going to move. They always have and that's going to continue. The question is, how are we going to deal with it?
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If your book is set in the plantation days of the slave-owning South and you write a little romance between two slave owners without acknowledging the system they live, that's a political gesture.
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There's a reason prophets perform miracles language lacks the power to describe faith.
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Walking is very good for writers. There's something fundamentally useful about not talking to anybody, not looking at a screen, and being in nature - even if that nature is an urban environment.
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I am a strong believer in the intertwined nature of the personal and the political I think they move together.
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When I travel, I feel more like a nomad than a tourist.
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I felt suddenly very young - or perhaps I felt my age.
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If we try to 'protect ourselves', our nation-states begin to look like prisons.
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I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.
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You're a watchful guy. you know where that comes from? I shook my head. It comes from feeling out of place, he said. Believe me. I know.
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What used to help us to cope with transience was stuff like, extended families all living in one place, or very strong religious beliefs, or a tribe that would outlive you. That stuff is getting weaker.
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