Quote

I think massive migration is inevitable. As sea levels rise, as climate change happens, as fertile fields become arid, as wars are fought, people are going to move. They always have.

Mohsin Hamid

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Mohsin Hamid
Age: 53
Born: 1971
Born: July 23
Novelist
Writer
Think
Levels
Massive
Thinking
Moving
Wars
People
War
Inevitable
Happens
Rise
Become
Climate
Arid
Change
Sea
Migration
Going
Fields
Fertile
Always
Move
Fought

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Why the brevity? Because I'd rather people read my book twice than only half-way through
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I was, in my own eyes, a veritable James Bond — only younger, darker, and possibly better paid.
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We're being subject to incredible amounts of surveillance, the police are taking on draconian powers and violating our rights. I think this attempt to protect ourselves is ultimately going to founder because people don't like living inside prisons.
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Religion is not something I like to talk about publicly. One reason is the politics, but also I think spirituality is deeply personal.
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There's a reason prophets perform miracles language lacks the power to describe faith.
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Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent.
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The world seems concerned with Pakistan primarily as an actor in global attempts to combat terrorism.
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Novels are make-believe and play for adults.
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Love is transient even on a very personal level. We lose everyone that we love. Sometimes we drift apart and sometimes we die.
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If my daughter wanted to wear a headscarf and dress in a religiously conservative way, I would be heartbroken. But if she were to decide to do that and she were to live in a place where people said she couldn't do that, I would be entirely committed to her right to do so.
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My earliest memories are of watching Star Trek and MASH while my parents barbecued chicken in the back yard. I was an American kid, through and through.
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What else is belief but direction?
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Some of my relatives held on to imagined memories the way homeless people hold onto lottery tickets. Nostalgia was their crack cocaine, if you will, and my childhood was littered with the consequences of their addiction : unserviceable debts, squabbles over inheritances, the odd alcoholic or suicide.
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There really still is a deep wound, you know, in the collective psyche of Pakistan. And the violence has left enormous human and emotional and psychic damage. That's not going to go away. But that said, I think I'm cautiously optimistic that we're looking at a better future.
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Novels function and the power of novels function because of their stories.
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We keep the negative stuff because it's the negative stuff that's going to, you know, potentially kill us. That fin in the water - maybe it is a shark. That yellow thing behind the tree - maybe it is a lion. You need to be scared.
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For me, writing a novel is like solving a puzzle. But I don't intend my novels as puzzles. I intend them as invitations to dance.
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I think that people are going to move. They always have and that's going to continue. The question is, how are we going to deal with it?
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When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something moves in to fill it. Writing books is like that. It's mostly about freeing up time, doing nothing, and in that time some writing starts to happen. We need to figure out how to maintain those voids.
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In Italian, the word for novel is romanzo, the romance. The English is novel - something new. Both of those elements, experimentation and love, are fundamental to the form.
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