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I suppose I felt guilty not to be doing something more important, more political. So in a way I am trying to use the company for these other activities.
Miuccia Prada
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Miuccia Prada
Age: 76
Born: 1948
Born: May 10
Entrepreneur
Fashion Designer
Mime Artist
Milano
Italia
Maria Bianchi
Miuccia Bianchi Prada
Political
Important
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Suppose
Trying
Guilty
Something
Activity
Way
Company
Use
Felt
More quotes by Miuccia Prada
I'm not interested in types. I'm interested in archetypes.
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The older I get, the more I prefer to talk to old people. Old people or kids.
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I’ve never wanted to be called an artist. The term itself seems old-fashioned. It’s a term that does not relate to modern times. And it’s too confining. What I love about fashion is its accessibility and its democracy. Everyone wears it, and everyone relates to it.
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Because of the Prada name, I can do things that people normally would not care about in the culture. I can have an exhibit by some forgotten artist who I love, and because it's Prada, people will come see it.
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I think more and more, if you live in the current world - and live internationally - it's all a mix of interests, and the same people who are interested in fashion are also interested in movies, art, and culture.
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I hate the idea that you shouldn't wear something just because you're a certain age.
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Fashion fosters cliches of beauty, but I want to tear them apart.
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I like to be useful to people.
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I like getting older and being the person who people ask for help.
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I was a feminist in the Sixties, and can you imagine? The worst thing I could have done was to be in fashion. It was the most uncomfortable position.
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We will always buy clothes because they let us live our dreams.
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You have to embrace the world if you want to live in it now.
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I always wanted to be different. I always wanted to be first.
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I realized that so many clever people respect fashion so much.
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One's life and passion may be elsewhere, but New York is where you prove if what you think in theory makes sense in life.
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I had no fun. My family was too serious.
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Women always try to tame themselves as they get older, but the ones who look best are often a bit wilder.
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I would say that clothes are an excuse for living in the world.
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If I have done anything, it is to make ugly appealing. In fact, most of my work is concerned with destroying—or at least deconstructing—conventional ideas of beauty, of the generic appeal of the beautiful, glamorous, bourgeois woman. Fashion fosters clichés of beauty, but I want to tear them apart.
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In America many things that are interesting are seen as odd.
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